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Notes From Me |
Sunday, April 03, 2005
![]() The last view of land I saw when leaving Japan, just before the drizzling sky broke into wide blue patches reflected in the deepening water, was a long outcropping of bridge parts or giant metal swan frames suggesting a town of mechanisms only. On the ship I met Pepper, from England, who had been volunteering at a hospital in Japan. She and I made plans for venturing around Shanghai. I should have taken a picture of her; she had a most serene face. I read a lot during the two days at sea--one of my sending off gifts had been Autobiography of a Yogi. I was happy to read of the Indian saints who had an understanding of the workings of physicality, and reminded that materiality doesn't have to be limited (or limiting). For me the best place in Shanghai was Yu Garden, which was anciently walled off from the streets and contained improbable rock forms with archways and passages that led to courtyards lined with flowering bonsais. There were immense halls and studies, exhibition rooms, small lakes and "stone boats" that were really wooden buildings topped with curving dragons. Chinese train stations are odd entities, looking from the outside like refugee camps. Inside, hangarlike waiting rooms flank an enormous thoroughfare hosting a great swath of people, many hefting frayed plastic tote bags that were plaid and of hugely comic disproportion. Just before boarding, I looked but could not see the end of the train, its coaches receeding to a vanishing point. Guangzhou, much more than Shanghai, has a New York essence that I like. I stayed with a family who were two doctors plus their daughter. I went one day while they were at work (and school) to an art museum. After paying my entrance fee an Italian woman approached and told me she'd been all over the museum, somehow without having paid, and had gone up to the 2nd and 3rd floors but that, "all the doors were locked." We both laughed. "There is only this," she gestured toward a large hall and said, "calligraphy." It turned out to be paintings by There were more exhibitions to see, no locked doors, and then I sat outside at a table near a koi pond. Immediately someone sat down and spoke at length in Chinese. He opened a large sketchbook and said, "Draw?" and then another person sat to my left and engaged me in halting English. This was his teacher, he explained, and the other people beginning to crowd around were students, as was he. The museum was closing so we left. Outside, the student said, "My teacher wants to invite you tomorrow to (I couldn't understand at all what he said) so just call," and he gave me a number. I knew I would have trouble remembering and pronouncing his name but later I got it. Zeng Xihua (sounds a little like jeng see-hwa). The next day I went to the place they'd invited me to, a very worn building where they were having an intensive four-month study. This is the top floor: ![]() I spent many happy hours over the next few days with the students, unhesitatingly included in their arm-linking friendliness. The teacher Mr. Ming asked me on my last day to sit for him to paint and the students to draw, a change for them since they usually had Chinese drawing models. Here is what he painted: ![]() For some reason he remarked that Zeng Xihua and I looked like brother and sister. I don't think so, also I don't think I look quite like myself here: ![]() About not smiling in the photo, he said, "Sorry I don't laugh in the picture. It's wrong." He thought he looked bad when smiling, but he smiles so often, I made sure to take another picture: ![]() This is from the cemetary of the 72 martyrs: ![]() More from me soon. ![]()
posted by lux at 3:26 AM
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Define and Concur, wild like cloudlight The Writer
Wooden boats, musical instruments and fireworks are some of the best inventions. And cameras. I don't believe in following any one person or set of ideas. There are tiny satiations like orchids along the viny forest floor, blooming unseen, more gorgeous than some could keep from weeping over. Whenever I see the occasional sun rise the colors always surprise me like the flavor of tahini in Holland. Subway cars make great rhythm along the tracks, as does wind in treebranches, the sound pattern of running engines, and sometimes clothes in a dryer. I like Sumerian poetry. Archives
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